What is the best thing that I love about my work?
What I love most about my job is the absolute freedom it grants me. When I paint, I enter a silent flow where time dissolves: only the colorful worlds remain that emerge on my canvases, as if they themselves chose the exact moment to manifest. I also love the encounters that art gifts me. I feel privileged to dedicate my life to creating works that, in some way, manage to bring light and happiness into the lives of others.
What is my idea of happiness?
Happiness, for me, is a subtle breath that lives in the small things. It’s the sun warming the skin, the morning light timidly entering through the window, a curtain moving in the wind and painting golden shadows on white walls. It’s an embrace that envelops you, a kiss that anchors you to the world, the feeling of belonging to something that loves you. And then there’s the happiness that arises from my Chromodynamism, the manifesto I wrote in June 2025: an act of love toward color and its power to awaken human sensitivity. I believe we need to return to savoring the small joys, without chasing the stereotypes that the web imposes on us, distancing us from ourselves and others. We must rediscover true contact, the kind that excites, that makes the skin vibrate. I try to recreate it through my colors.
Picture credits: Maurizio Paradisi
What is my greatest fear?
I’ve learned that naming what one fears most is not the best thing; words have weight and the universe listens, so in this life I do my best with commitment and dedication without fear.
What is the trait that I most deplore in myself?
The trait that I sometimes struggle to accept is the same one that sustains me: my unshakeable determination in defending my ideas and my integrity. I am stubborn, yes, but I have understood that every flaw can transform into a gift, if viewed from the right perspective. My strength and my obstinacy are the same ones that allow me to create, to believe, to go beyond.
Which living persons in my profession do i most admire?
The living people I admire most in my profession are those who, with sensitivity and vision, have been able to illuminate my artistic path. I deeply admire Alberto Moioli, a rare figure in this field: loyal, sensitive, authentic. His critical support for Chromodynamism and his lucid and penetrating writings on my work have represented for me a point of strength and growth. I esteem Andrea
Baffoni for his tireless energy and rigorous professionalism, qualities that make his critical gaze always stimulating. I am fascinated by the explorations of James Elkins, which intertwine art and science in an interdisciplinary approach capable of dialoguing with my quantum visions. His is not a traditional philosophy, but a new way of interrogating images, perception, and culture, in perfect harmony with my research. Deep admiration also for Barbara Stafford, for her revolutionary conception of perception. Her studies on neuroscience open perspectives that resonate intimately with my artistic vision, especially in the way she explores emotion, imagination, and subjectivity.
Last but not least, I admire Maurizio Paradisi, an eclectic figure who navigates between politics and photography, and excels in both; Marcello Bedoni, my childhood friend, for his energy and ability and continuous expressive research. Born as an opera singer, he then studied photography and film direction… Andrea Prandi with his research on the duality of the human soul. These figures, each in their own way, have nourished my thought and strengthened my artistic identity, becoming points of reference in my creative journey.
What is the thing that I dislike the most in my work?
What I detest most are creative blocks. Yet, over time, I have learned that they are not enemies: they arrive to shake intuition, to force me to look elsewhere, to think in new ways. Many times, precisely from those suspended moments, unexpected visions have been born, ideas that have given life to new projects.
When and where was I the happiest, in my work?
My greatest happiness arises from the sincere recognition of the people who follow me and from the support of critics and curators who have believed in my research. It was exciting to discover that so many creatives share an invisible thread, the same feeling, a universal language that unites us and makes us feel part of a single, immense artistic constellation. But the absolute happiest moment was when I wrote my manifesto of Chromodynamism. In that instant, I understood the meaning of all the years of work, of every intuition, of every step: everything converged there, in that declaration of identity and vision.
If I could, what would I change about myself?
If I could change something about myself, perhaps I would start my artistic path earlier. I have achieved much of what I desired and consider myself fortunate, but I feel that I could have given more space, earlier, to that creative voice that today guides every step of mine. Yet it is not a regret: it is the awareness that I still have many projects to bring to life, many ideas to transform into life. The best is yet to take shape.
What is my greatest achievement in work?
My greatest success in work is having believed in myself when no one could do it for me. I worked with discipline, courage, and dedication, I invested so much until giving life to an artistic movement: chromodynamism, the concrete proof that my vision was not a dream, but a direction. Yet I know that my greatest milestone has not yet arrived. I feel it advancing, like a wave that grows in silence: it will be the work, the project, or the moment that will give full completion to everything I have built so far or that I will continue to build.
Where would I most like to live?
I imagine myself shuttling between three worlds that speak different languages of art. Italy, cradle of classicism and today increasingly open to the contemporary, would be my root. Paris, with its restless elegance and its vibrant history, would be my breath. New York, the pulsating heart of modern art, the place where every artist finds a space to exist and reinvent themselves. Among these three cities, I would feel my creativity flow like a continuous journey, an endless dialogue between past, present, and possible futures.
What is my most treasured possession?
My most precious possession, after my children, are my creations. Each one holds a fragment of my soul, but the most recent works in the Vita series shine with a different light: they are the faithful mirror of my current phase, the point where my artistic path gathers, transforms, and reveals itself. In them, I feel pulsing everything I have been and everything I am becoming. They are my treasure because they tell my story without the need for words, because they breathe with me and continue to grow as I grow.
What is my most marked characteristic?
My most marked characteristic is the audacity with which I use color. In my paintings, color is not just matter: it is voice, impulse, revelation. It comes naturally to me to mix tones, create new shades, let the hues meet as ancient emotions would that resurface. I believe color has a secret power: that of awakening the most sensitive part of each of us, the one that holds memories, dreams, forgotten scents. My works seek exactly this: to bring to light that deep contact with the universe, that thrill that reminds us we are alive, vibrant, intertwined with everything.
What is my most inspirational location, in my city?
My location where I find inspiration, in my city, is in nature where I love to stroll on sunny days, but above all it is my studio: a place where colors, objects, and materials coexist in a vital chaos, always visible, always ready to suggest a new direction to me. It is there that every portal is born, every work that takes shape to be lived and to give breath to those who observe it.
What is my favorite place to eat and drink, in my city?
Without a doubt, at the bar in the square, where on Saturdays and Sundays I love to have breakfast with my husband, sitting outside in the sun enjoying the fresh air. There, you meet friends, chat lightly, and savor the serenity of the morning quiet, before the daily hustle of a small town awakening invades everything with its vibrant energy. It’s a simple ritual that makes weekends special!
What books influenced my life and how?
Here are several that have left a deep mark on my personal and artistic path, each with precious lessons that still guide me today. Among the most significant: “The Soul’s Code” by James Hillman, which revealed to me the inner daimon as a unique guide; “Siddhartha” by Hermann Hesse, a journey of self-discovery that teaches the essence of inner wisdom; “The Pilgrimage” by Paulo Coelho, a metaphorical pilgrimage toward authenticity; “I’m OK – You’re OK” by Thomas Harris, which explores relational dynamics with empathy; and “Mutant Message Down Under” by Marlo Morgan, a spiritual adventure among ancient cultures.
All these books have taught me a fundamental truth: the true treasure is already close to us, no need to chase it in remote places. They have nourished my art, reminding me that beauty and the purpose for which we live arise from within.
You Only Die Once. What music would I listen on my last day?
Without a doubt, Chopin’s Nocturne, with its enveloping and melancholic notes, or “La Cura” by Giorgia, which touches the soul with its emotional depth. But more than anything else, I would want my son Francesco to gift me a cheerful tune on the saxophone, perhaps accompanied by his older brother Martino on the electric guitar, in a family duet that would fill the air with joy and love, making that moment eternal and luminous.
Who is my hero or heroine in fiction?
There are several that inspire me deeply, but at this moment, Spider-Man comes to mind, an icon who, unlike heroes born with divine powers, is a common teenager who acquires extraordinary abilities unexpectedly, but chooses to use them for the supreme good, guided by his immortal mantra: “With great power comes great responsibility.” For me, Spider-Man embodies a luminous symbol of pure altruism, indomitable courage, and unshakeable resilience, reminding us that anyone can rise to heroism through conscious choices and a generous heart.
Who are my heroes and heroines in real life?
My heroes and heroines in real life? Without a doubt, my family members, who represent my core of strength and daily inspiration. First and foremost, my husband, always ready to support me with unconditional love in moments of challenge, and my children, who teach me every day the true meaning of resilience and joy. But I extend this tribute to all the good people who work for social inclusion, fight crime with courage, and dedicate their lives to making the world a better, fairer, and brighter place for everyone. They are the true game-changers, who motivate me to do my part through art.
Which movie would i recommend to see once in a lifetime?
Schindler’s List to ensure that no one ever uses such violence against another human being.
What role play stories in my life and work?
Stories play a fundamental role in my life and in my work, like invisible bridges that connect inner worlds. I love listening to what people have to tell, immersing myself in the narratives that reveal the various universes each of us builds around ourselves. It’s fascinating to discover how every person inhabits a unique world, which can remain closed in on itself or open up, expanding and intertwining with others in an infinite dialogue. For me, every story is a precious spark: an inexhaustible source of reflection, inspiration, and growth, which nourishes my creativity and pushes me to explore new artistic perspectives.
What do the words ‘You are the storyteller of your own life’ to me?
For me, the words “You are the narrator of your life” embody a profound truth: each of us is the architect of our own destiny. Life must be lived as protagonists, not as mere extras who settle for a pre-written script or limit themselves to what others have shown them. Being protagonists means embracing the power of work and determination, because with commitment and vision, anyone can open unexpected doors and create equal opportunities for all. It’s an invitation to take the pen of your own story and write it with audacity!
Who is my greatest fan, sponsor, partner in crime?
Without a doubt, my family, my unconditional pillar that supports me in every adventure, celebrating successes and facing challenges by my side with absolute love and trust.
Which people or companies would I like to work with ?
Alberto Moioli, art critic, artist;
Eric Burdin, gallerista
Andrea Concas, YouTuber;
Andrea Baffoni, art critic.
Enrico Carezzano, gallerist from Alessandria,
Bianchi Zardin gallery
Barbara Venanti, gallerist,
Giorgio and Anna Fasol, art collectors
Nunzia and Vittorio Gaddi, art collectors
Patrizia Sandretto Re Rebaudengo, Italian collector and patron.
What project am I looking forward to work on?
A major solo exhibition of mine where I would like to include some of my photos taken by the photographer Maurizio Paradisi, which will open the display of my creations. And where there will be an inclusive and interactive part for the public. But I don’t want to reveal more—it has to be a surprise… to be seen. I would also like to present my Chromodynamism to the general public because I truly believe it can change the way we see art or, better yet, bring it back to its main role, that of provoking in people that phenomenon called, according to Neuroscience, “the GREAT BEAUTY.”
This is a phenomenon that occurs when observing a work of art that fascinates so much that it provokes chemical reactions in the body capable of inducing sensations of well-being like ecstasy. I believe that if a person feels good about themselves, they are more open to others and empathetic. Chromodynamism positions itself as a poetic rebellion against the digital saturation of the eye and the depersonalization of human relationships. In a world increasingly mediated by screens and artificial filters, where emotions and feelings diminish, making us cold and selfish, the movement elevates color to a living and pulsating force: not a mere decorative tool, but an energetic organism that acts directly on perception, awakening empathy, well-being, and an authentic inner connection. To make my dream come true, I have also launched an Eppela campaign. https://www.eppela.com/projects/12567 , I thank in advance anyone who wants to be part of it even with a very small contribution.
Where can you see me or my work?
For those who want to see my works, they could see them at IAC Paris Art Gallery, on Artsy; Instagram, Facebook, LinkedIn, TikTok, Singulart or by purchasing one of my books for sale online on Amazon. I am also working on my official website, soon online.
BEYOND THE IMAGE: ABSTRACTIONISM
PORTALS:
CARLA PISTOLA, ABSTRACTIONISM:
What do the words “Passion Never Retires” mean to me?
For me, the words “Passion Never Retires” encapsulate the essence of an inextinguishable inner fire. Passion, like the one for painting that has accompanied me forever, is a precious gift to honor, cultivate, and pursue with absolute dedication. From childhood, I expressed myself better through the strokes of a drawing than with words, letting the colors speak for me. It’s true, sometimes we can set it aside for a while, distracted by daily life, but inevitably it returns to capture our soul, pushing us to follow it without resistance. Because each of us carries within a personal daimon, which illuminates the path and reminds us that true passion never retires: it is eternal, alive, and transformative. Personally, from a very young age, together with my twin sister, also a painter, I always said that sooner or later in my life I would start painting seriously, I wanted to be an artist.
Which creative professionals should Peter invite to tell their story?
Alberto Moioli. Art Critic
Andrea Baffoni, Art Critic
Andrea Prandi, artist
Claudia Pistola, artist
Laura Casini, artist
Hunter Art,
Alain Delatour, artist
David Arrigoni,
Giovanni Filosa journalist,
Chistina Stefanie Skoczylas, artist
How can you contact me?
Email: pistolacarla05gmail.com
On Messenger, LinkedIn, Instagram or Facebook
https://www.instagram.com/carla_pistola/?hl=it https://www.facebook.com/carlap05/?locale=it_IT https://it.linkedin.com/in/carla-pistola-8a684190